Tuesday, 28 August 2018

Black Hole Series

Acrylic, Ink and Spray paint on hardwood ply panel. 29cm square
MarK Warrington 2017/18

















































Wednesday, 22 August 2018

Limited Edition Print Release

Pink Mountains
£60.00
Size: 56.6cm x 46cm 
GiclĂ©e print on thick 320GSM cotton Rag paper 
Signed edition of 30

https://markwarrington.bigcartel.com/





Monday, 18 June 2018

Baked Rocks




Baked Rocks

Charcoal, spray paint and acrylic paint on paper. 
Mark Warrington 2018

Friday, 2 March 2018


A painting i’ve made for a record cover by the French band, Levitation Free. Out sometime this year, self released. 
 
Acrylic on wood Mark Warrington 2017




Tuesday, 27 February 2018

Spontaneity Number 06

Spontaneity Number 06 : Looking back
Ink on paper
Mark Warrington 2018






Friday, 2 February 2018

Desk Pests


Desk Pests - gif loop
Animation over live action. 
Mark Warrington © 2018 


Wednesday, 3 January 2018





























Spontaneity Number 05
Ink on Cartridge paper
24cm x 17.5cm
2017

Tuesday, 5 December 2017

Spontaneity Number 04





























Spontaneity Number 04
Ink on Cartridge paper
24cm x 17.5cm
2017

Wednesday, 7 June 2017

Sleeve Artwork for Coyote


Original sleeve artwork for the album, Song Dogs by Coyote
Acrylic on Wood panel,
47.5 x 47.5 cm
Mark Warrington 2016

Spontaneity Series 01-03


Spontaneity #01


Spontaneity #02








Spontaneity #03








Wednesday, 30 November 2016

Animated Type : The Missing Letter

A type animation I made for the release of Ben Eine's 'The Missing Letter sculpture.

The liquid effects are drawn frame by frame. 



Thursday, 18 August 2016

Smith & Mudd - Gorthleck LP Artwork

Gorthleck LP Artwork
Acrylic on Wood 92cm x 53cm
Mark Warrington 2016 ©

Here's a piece i've painted for `Smith and Mudd's new LP on Claremont 56.
This beautiful album was written by them up in an old house in 'Gorthleck'
which situated is up on Loch Mhor way up in the Scottish highlands.

Mudd gave me some photos from their trip which helped me get a feel for
the environment in which the music was created. These photos are also
printed across the inside of the gatefold. I took elements from the photos,
such as the Birches and old moss-covered walls and arranged them in a
deliberate, rhythmical composition.